"Many people have often wondered why St. Sebastian has always had a special attraction, for gay men in particular. It's the pictures, stupid! I mean, where did you think Calvin Klein got his ideas for all those underwear ads, Divine Inspiration?" -- Bob Racozky, The Gay Book of Saints
In a way, Racozky is right. The figure of Sebastian moved very early from being an icon in the Catholic church to being an icon for men whose ultimate ideals included a form of penetration that was simultaneously ecstasy and deathly pain; i.e. a gay icon.
Version by Lorenzo Costa, 1491
Louis Bourdechon, 1509
Version by "Il Sodoma," 1525
Ludovico Carracci, San Sebastiano, 1599, Gravina (Bari), Fondazione Pomarici-Santomasi.
Still from Derek Jarman's film Sébastiene (1976)
Tuesday, June 2, 2009
Joan of Arc
Joan of Arc, whose visions of God led her to save 14th century-France just in time for Charles, her prince, to give her up to the English. They promptly tried her and burned her at the stake for the wickedness of transgressing the hetero-normative gender ideals of the age. Little did the English know that they were creating a martyr for gender-transgression in centuries to come.
Joan of Arc, Franco-Flemish school, fifteenth century (Archives Nationales, Paris/Bridgeman Art Library, London)
The English lesbian Vita Sackville-West was electrified enough by the legend of the woman warrior Joan that she wrote a novel-like biography filled with Joan's thoughts and desires. Contemporary and later readers would criticize Sackville-West's implication that Joan might have been a lesbian; they also rejected Vita's notion that Joan was probably an unattractive woman. Her biography is still in print.
Vita Sackville-West, Joan of Arc (1936)
Milton Waldman, Joan of Arc (1935) Waldman's book, from around the same time as Vita Sackville-West's, remembers her in a more feminine mode (Joan as Shepherdess, Bibliotheque nationale).
More recent works like Joan of Arc: A Military Leader by Kelly Devries (2002; Jacket front: La Pucelle! by Frank Craig (1874-1918)) show that the concept of a young girl who is also a good soldier, a traditionally masculine role, is what keeps the figure of her so alive in our minds.
Joan of Arc, Franco-Flemish school, fifteenth century (Archives Nationales, Paris/Bridgeman Art Library, London)
The English lesbian Vita Sackville-West was electrified enough by the legend of the woman warrior Joan that she wrote a novel-like biography filled with Joan's thoughts and desires. Contemporary and later readers would criticize Sackville-West's implication that Joan might have been a lesbian; they also rejected Vita's notion that Joan was probably an unattractive woman. Her biography is still in print.
Vita Sackville-West, Joan of Arc (1936)
Milton Waldman, Joan of Arc (1935) Waldman's book, from around the same time as Vita Sackville-West's, remembers her in a more feminine mode (Joan as Shepherdess, Bibliotheque nationale).
More recent works like Joan of Arc: A Military Leader by Kelly Devries (2002; Jacket front: La Pucelle! by Frank Craig (1874-1918)) show that the concept of a young girl who is also a good soldier, a traditionally masculine role, is what keeps the figure of her so alive in our minds.
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